Lewis Baltz Photography

Lewis Baltz

American (1945-2014)

LEWIS BALTZ, “West Wall, Space 18, 817 West 17th Street, Costa Mesa”, 1974, silver print, printed ca. 1974, 6” x 9”

LEWIS BALTZ, “West Wall, Space 18, 817 West 17th Street, Costa Mesa”, 1974, silver print, printed ca. 1974, 6” x 9”

LEWIS BALTZ, “South Corner, Riccar America, 3184 Pullman, Costa Mesa”, 1974, silver print, printed ca. 1974, 5 15/16” x 8 15/16”

LEWIS BALTZ, “South Corner, Riccar America, 3184 Pullman, Costa Mesa”, 1974, silver print, printed ca. 1974, 5 15/16” x 8 15/16”

Biography | Bibliography

Lewis Baltz (born September 12, 1945 in Newport Beach, California) is a visual artist and well known photographer who became an important figure in the New Topographic movement of the late 1970s.

Baltz graduated from San Francisco Art Institute in 1969 and holds a Master of Fine Arts degree from Claremont Graduate School. He received several scholarships and awards including a scholarship from the National Endowment For the Arts (1973, 1977), the John Simon Guggenheim Memorial Fellowship (1976), US-UK Bicentennial Exchange Fellowship (1980), and Charles Brett Memorial Award (1991). In 2002 Baltz became a Professor for Photography at the European Graduate School in Saas-Fee. He is now living in Paris and Venice.

His entire work is focused on searching for beauty in desolation and destruction. Lewis Baltz images describe the architecture of the human landscape, offices, factories, and parking lots. His pictures are the reflection of control, power, and influenced by and over human beings. His minimalistic photographs in the trilogy Ronde de Nuit, Docile Bodies, and Politics of Bacteria, picture the void of the other. In 1974 he captured the anonymity and the relationships between inhabitation, settlement, and anonymity in The New Industrial Parks near Irvine, California (1974).

Lewis Baltz moved to Europe in the late 1980s and started to use large colored prints. Several books and articles featured his creations including Geschichten von Verlangen und Macht, with Slavica Perkovic (Scalo, 1986). Other photographic series, including Sites of Technology (1989–92), depict the clinical, pristine interiors of hi-tech industries and government research centres, principally in France and Japan.

His books and exhibitions, his “topographic work”, such as The New Industrial Parks, Nevada, San Quentin Point, Candlestick Point (84 photographs documenting a public space near Candlestick Park, ruined by natural detritus and human intervention), expose the crisis of technology and define both objectivity and the role of the artist in photographs.

The story “Deaths in Newport” was produced as a book and CD-Rom in 1995. His works have been presented in numerous exhibitions around the world, and appear in museums such as the Museum of Modern Art, Paris, Museum of Contemporary Art, Helsinki, San Francisco Museum of Modern Art and The Whitney Museum of American Art, New York. He writes for many journals, and contributes regularly to L’Architecture d’Aujourd’hui.

Bibliography

Lewis BaltzCandlestick Point, Gottingen, Germany : Steidl, 2011.

Lewis BaltzThe new industrial parks near Irvine, California, New York : Castelli Graphics ; Rochester, N.Y. : Distributed by Light Impressions, ca. 1974.

Lewis BaltzContemporary American photographic works : The Museum of Fine Arts, Houston, November 4 – December 31, 1977, Houston, Texas : The Museum, 1977.

Jardins do paraíso = Gardens of Eden, Coimbra : Encontros de Fotografia, 1993.

14 American photographers : Walker Evans, Robert Adams, Lewis Baltz, Paul Caponigro, William Christenberry, Linda Connor, Cosmos, Robert Cumming, William Eggleston, Lee Friedlander, John R. Gossage, Gary Hallman, Tod Papageorge, Garry Winogrand : [catalogue of the exhibition], Baltimore : Baltimore Museum of Art, [1975] ca. 1974.