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Lewis Hine

LEWIS HINE, Girl and Woman Spinner at Machine, Newton, NC, 1908, silver print.

LEWIS HINE
Girl and Woman Spinner at Machine, Newton, NC, 1908, silver print, ca. 1908.

LEWIS HINE, Spinner, 51 inches high, Whitnel, North Carolina,  1908,  silver print.

LEWIS HINE
Spinner, 51 inches high, Whitnel, North Carolina, 1908, silver print.

LEWIS W. HINE, “A Six Year Old Boy (Italian) Taking Home Work During the Noon Hour”, 1912, silver print.

LEWIS W. HINE
“A Six Year Old Boy (Italian) Taking Home Work During the Noon Hour”, 1912, silver print, 1910s or 1920, 9 1/2" x 7".

LEWIS HINE, “Bank Boss, Turkey Knob Mine”, ca. 1908, silver print.

LEWIS HINE
“Bank Boss, Turkey Knob Mine”, ca. 1908, silver print, 5" x 7".

LEWIS HINE, “A Typical Boy Minding Another Boy’s Business”, 1915, silver print.

LEWIS HINE
“A Typical Boy Minding Another Boy’s Business”, 1915, silver print. ca. 1915, 4 1/2" x 6 3/8".

LEWIS HINE, Oyster Shuckers, Ala. Canning Co., 1911, silver print.

LEWIS HINE
Oyster Shuckers, Ala. Canning Co., 1911, silver print, 5" x 7 ".

LEWIS HINE, Interior of Magnolia (Miss.) Cotton Mills Spinning Room.

LEWIS HINE
Interior of Magnolia (Miss.) Cotton Mills Spinning Room..., 1911, silver print, 5" x 7".

 

Lewis Hine, American, 1874-1940

Lewis Hine, who was best known for his use of photography as a means to achieve social reform, was first a teacher of botany and nature studies at the Ethical Culture School in New York. It was while he was teaching that he was given a camera by the head of the school. In his hand, the camera became a powerful means of recording social injustice and labor abuses.

Hine's interest in social welfare and in reform movements led him in 1905 to begin his first documentary series; immigrants on Ellis Island. In 1908 he left teaching to become an investigator and photographer for the National Child Labor Committee (NCLC), and between 1908 and 1916 he traveled extensively photographing child-labor abuses. Hine would manage to gain access to the sweatshops and factories where children were employed, and then, if he could, photograph them at work. Hine inveigled his way into factories by posing as an insurance agent, bible salesman, postcard seller, or industrial photographer. Once inside, Hine quickly would go about his business of photographing the children working. Having been a teacher, Hine was comfortable talking with children and would attempt to get as much information as possible regarding their living conditions, the circumstances under which they were forced to work, and their name and age. If he was unable to determine a child's age by speaking to him, Hine would surreptitiously measure the child's height against the buttons on his vest and estimate the child's age by his height. If Hine was not able to gain admittance to a factory, he would wait outside the gates and photograph the children as the came to work. He visited children and families who worked at home and he wrote with impassioned sarcasm of the "opportunities for the child and family to enlist in the service of Industry."

Hine's photographs were used to make lantern slides for lectures and to illustrate pamphlets, magazine articles, and exhibitions. Through his photographs, Hine was able to inspire social change. His photos documenting the horrid conditions under which children were employed, made real the plight of these children. This led to the passage of child labor laws. Not only did Hine document the horrors of work, he also depicted the dignity of labor. This is best seen in his photos of the construction of the Empire State Building. From 1930 to 1931 he took hundreds of pictures of the Empire State Building under construction. These photos, as well as photographs of factory workers and other laborers, were published in Men at Work. While Hine's early photographs were often published, by the 1930s, interest in his work had declined. In 1938 he was denied a grant to photograph American crafts people at work. The Photo League in New York publicized his work, but it was not until a number of years after his death that he again received wide recognition. A new monograph was recently printed entitled, Lewis W. Hine Children At Work by Vicki Goldberg.

 

Bibliography:

Harrah Argentine, Lewis Hine: the empire state buildings, a book of 30 postcards, New York: Avery Architectural and Fine Arts Library, 1992.

Verna Posever Curtis, Stanley Mallach, Photography and Reform: Lewis Hine and the National Child Labor Committee, Milwaukee: Milwaukee Art Museum, 1984.

Jonathan L. Doherty, Women at Work: 153 Photographs by Lewis W. Hine, Mineola, NY: Dover Publications, 1981.

Russell Freedman, Kids at Work: Lewis Hine and the Crusade Against Child Labor, Boston: Clarion Books, 1994.

Vicki Goldberg, Lewis W. Hine: Children At Work, Munich: Prestel Verlag, 1999.

Judith Mara Gutman, Lewis W. Hine, 1874-1940: Two Perspectives, New York: Grossman Publishers, 1974.

Ronald J. Hill, Ed., Lewis W. Hines: Child Labor Photographs, Catalogue 8, Washington D.C.: Lunn Gallery/Graphics International Ltd., 1980.

Lewis W. Hine, Fredy Langer, Lewis W. Hine: The Empire State Building, New York: Prestel Publishers, 1998.

Denyse Gerin-Lajoie, Jorge Guerra, Claire Martin, Photo: Lewis W. Hine, 1874-1940, Toronto: Kodak Canada Ltd., 1977.

Daile Kaplan, Lewis Hine in Europe: The Lost Photographs, New York: Abbeville Press Publishers, 1988.

Walter Rosenblum, Naomi Rosenblum, Alan Trachtenberg, Marvin Israel, America & Lewis Hine: Photographs 1904-1940, New York: Aperture, 1977.

Karl Steinorth, Lewis Hine: Passionate Journey, Photographs 1905-1937, Zurich: Edition Stemmle, 1995.



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