Bisson Freres Photography

Bisson Freres

French (1814-1876) (1826-1900)

BISSON FRERES, “Mer de Glace et l'aiguille des Chamonix”, ca. 1861-1863, albumen print, 11 15/16” x 17 1/8”

BISSON FRÈRES, “Mer de Glace et l’aiguille des Chamonix”, ca. 1861-1863, albumen print, 11 15/16” x 17 1/8”

BISSON FRERES, Le “Mont Blanc vu du Jardin [deTalèfre]”, ca. 1862, albumen print, paper negative, 6 15/16” x 9 3/4”

BISSON FRÈRES, Le “Mont Blanc vu du Jardin [deTalèfre]”, ca. 1862, albumen print, paper negative, 6 15/16” x 9 3/4”

BISSON FRERES, La Seine, Paris, ca. 1850s, albumen print, 13" x 17 1/4"

BISSON FRÈRES, La Seine, Paris, ca. 1850s, albumen print, 13″ x 17 1/4″

BISSON FRERES, Mitre of St. Louis, Object de la collection du Duc de Luynes, 1859, albumen print, 13 3/8" x 9 1/4"

BISSON FRÈRES, Mitre of St. Louis, Object de la collection du Duc de Luynes, 1859, albumen print, 13 3/8″ x 9 1/4″

Biography | Bibliography

The Bisson brothers, Louis-Auguste (1814-1876) and Auguste-Rosalie (1826-1900) were some of the best known French photographers of their day. The elder brother worked as an architect for the city of Paris and his younger brother worked for their father who was a painter by trade. Their first foray together was in a firm set up by their father, Bisson Pére et Fils, that specialized in daguerreotype portraiture. In the early 1850s, after switching to the negative/positive process, they began photographing the works of Rembrandt and Durer, then turned to architectural photography. The brothers made large prints of historic monuments from all over Europe. These prints went into the making of Reproductions photographiques des Plus Beaux Types d’Architecture, that was released in installments spanning the years 1853-1862.

The Bisson Fréres gained fame making large scale photographs of the glaciers of the Alps. These were exhibited at the Société Francaise de Photographie, an organization of which they were founding members. In 1860, the brothers accompanied Napoleon III to Chamonix on a photographic expedition to commemorate the reuniting of Savoy to France. Although they did not make it to the summit of Mont Blanc on this journey, Auguste would take the first photograph from the summit in 1861. The photographs taken of Mont Blanc and other alpine views made up an album they published of mountain photography. By 1864 the brothers’ partnership had dissolved due to changing tastes and a new demand for portrait photography.

Bibliography

Arnold Jolles, Frederick J. Cummings, Hubert Landais, The Second Empire: Art in France under Napoleon III , Philadelphia Museum of Art, 1978.

Simon Kelly and April M. Watson, Impressionist France : visions of nation from Le Gray to Monet, St. Louis : Saint Louis Art Museum and The Nelson-Atkins Museum of Art, 2013.

Louis-Auguste Bisson, Les frères Bisson photographes : de flèche en cime 1840-1870, Essen : Museum Folkwang ; Paris : Bibliothèque nationale de France, ca. 1999.

Monographie de Notre-Dame de Paris, Paris, A. Morel [186-?]

Bisson FreresSouvenir de la Haute-Savoie, Torino, Italia : Gruppo editoriale forma, 1982.